Every effort has been made to trace the ownership of all copyrighted material and to secure the necessary permissions to perform the selections. In the event of any question arising as to the use of any material, Poetry Alive!, while expressing regret for any inadvertent error, will be happy to make the necessary corrections in future performances.
Grateful acknowledgment is made to the following for permission to perform the copyrighted material below:
Between What I See and What I Say by Octavio Paz, Translated by Eliot Weinberger, from COLLECTED POEMS 1957-1987, copyright ©1986 by Octavio Paz and Eliot Weinberger. Used by permission of New Directions Corp.
Calling, The by Luis J. Rodriguez from COOL SALSA: POEMS ON GROWING UP LATINO IN THE UNITED STATES edited by Lori M. Carlson ©1994 by Henry Holt Publishers. Performance permission granted by the author.
Chrysalis Diary by Paul Fleischman from JOYFUL NOISE by Paul Fleischman ©1988 by HarperCollins Publishers. Performed by permission of Curtis Brown, Ltd.
Constantly Risking by Lawrence Ferlinghetti from A CONEY ISLAND OF THE MIND, copyright ©1958 by Lawrence Ferlinghetti. Used by permission of New Directions Publishing Corp.
Funeral, The by Gordon Parks from WHISPERS OF INTIMATE THINGS by Gordon Parks ©1971 by Viking Books.
My Papa's Waltz by Theodore Roethke from THE COLLECTED POEMS OF THEODORE ROETHKE ©1940 by Bantam Doubleday Dell Publishing Group. Used by permission of Doubleday, a division of Random House, Inc.
Those Winter Sundays by Robert Hayden from ANGLE OF ASCENT: NEW AND SELECTED POEMS by Robert Hayden. Copyright ©1966 by Robert Hayden. Performance permission granted by Liveright Publishing Corporation.
We Copyright ©1995 by Lee Bennett Hopkins from BEEN TO YESTERDAYS: POEMS OF A LIFE by Lee Bennett Hopkins. Published by Boyds Mills Press. Performed by permission.